Which Greek Order Has An Entablature With A Three-panel Architrave And A Decorated Frieze

My Craftsman/Art Deco hybrid door surround with Fine art Deco ornaments above the frieze.

[This is part of myHow to Install Moldings series.]

Jay commented on Before & Subsequently: Will's Bathroom and Window Trim, and asked a very unproblematic question that I'm shamed to say I should take addressed long ago:

Can anyone tell me an easy way to detect the correct proportion for the entablature?  I've tried to research this on the web, but it seems similar nigh sites want to give a history lesson and I walk abroad not knowing annihilation more than when I started.

Ken's Short Answer

About 4″.

Ken's Long-Winded Reply

There you accept it, Jay.  That's the basic top I use for the frieze on well-nigh of my door and window entablatures, even long ones.  I may adjust up or down depending on what I want, just iv″ high is a skilful starting indicate.

Focus on the Frieze

I'thousand going to focus on the frieze meridian in this post, because the height of your entire entablature is ultimately dependent on the moldings you stack around information technology.

There are exact rules of scale and proportion that classical architectural historians can explicate, but we want to avert the history lesson for now and just focus on some general ideas and lots of examples that volition get you going in the right direction.

Later all, we're not trying to create museum pieces here, just prissy molding that don't cost too much for our homes.

The picture below shows Volition'southward bathroom window trim, and it looks like he made it nigh 3″ alpine, perhaps a piddling less.

I strive on The Joy of Moldings to apply the near accurate terms for moldings I can find.

For terms that I just can't detect a specific vocabulary for I make up my own, like I did with flying crown molding .

I based the frieze elevation of this Craftsman entablature on a molding design book published in the mid-1920s.

But like yous said, Jay, it tin be hard to sift out the specifics when either also much information is given, not enough information, or, because this is the internet afterwards all, just obviously wrong information.

What'southward that Thing Above the Door Chosen?

Entablature or Overdoor.

One of my Greek Revival entablatures or overdoors with corbels and appliques on the frieze.

That'southward what the whole buildup is chosen.  Classical architecture has specific words for each component that brand up the entablature, and the portion y'all are asking about Jay is called the frieze.

You can see a more than detailed breakdown of all parts of a door environment, meridian to lesser, hither at our DOOR TRIM-114 page.

This is a swan'south neck entablature because of the graceful scalloped ends. I'm broken-hearted to brand more of these!

The entablature is ofttimes mistakenly called a pediment, which is a separate, unique treatment.

It is as well mistakenly called a door header, which is a structural component of the framing.

How do I Summate Frieze Top?

This, my favorite kind of entablature for big doorways or archways.  It sits on top of an eared architrave. The frieze is decorated with rosette, coil and lions head woodworking appliques.

My four″ starting bespeak is based on what's called the Golden Ratio, as well called the Gilt Rectangle.

I deviate from it as I run across fit, every bit have craftsman for the concluding few thousand years, but it is well-nigh ever my starting point.

Historic Molding-Watching

I know I'1000 being somewhat vague about how to come up up with frieze dimensions.

That's considering I don't take a formal education in any of this, then I don't have a formal style of presenting the data.

I am an enthusiastic amateur at all-time, at worst simply a copycat of what craftsman created in the by that nosotros yet honey today.

A neoclassical entablature at the Detroit Institute of Arts.

This Neoclassical door surround at my love Detroit Found of Arts partly inspired me to create the door surrounds in the moving picture beneath.

My original intent was to go on the frieze patently similar the original, only we concluded up making it highly ornate (See the ornaments in the concluding version all the way at the bottom of this post here).

A Neoclassical door surround that started out with this simple frieze, only concluded up richly ornate.

Of class, this is one of the reasons I started this blog — to help sift out all of the expert and bad information about decorating with moldings and dribble information technology into something that makes sense that we can human action on at dwelling house.

An example of an overdoor with no frieze at all.

A simple, subordinate (dissolved) overdoor fabricated from crown molding solved the issue of limited height avoiding bumping into the crown.

These two overdoors above and below were inspired by historic moldings I've seen in homes and public buildings all over the globe.

Simply ultimately, I simply dearest the moldings in historic homes, and and so have stared at them long enough that it helps me improvise when I create my molding patterns.

All of my moldings designs have to pass this exam:

Does that expect like information technology came out of a historic home?

If the answer is no, then I make an adjustment or start over.  I don't always nail it — there are many patterns that I would never show you because I ultimately failed at what I was going for — just it is my ultimate goal.

This design was inspired past an historic home in the charming boondocks of Romeo, Michigan, where I used to live.

Above  This is a hooded entablature, significant it has a soffit that projects above the frieze.  Wait closely at the frieze.  Detect the molding has a convex profile?  That is chosen a pulvinate molding.  The centre panel is painted in cameo, and the whole entablature rests on an eared architrave.

A simple Victorian entablature I installed in a new ranch house.

Victorian Friezes

A common trait of Victorian era entablatures (and other moldings in this period) is their height.  They tend to be taller than their Greek Revival or Neoclassical cousins.

Remember of them as being stretched besides tall.  The frieze on the Victorian style door surround I congenital in the picture below could have been another inch taller than this.

Just I had a specific ornate applique in listen for it and so kept the frieze height lower to arrange the rectangular rosette I eventually installed.

Beneath  I built this frieze with these appliques in mind, and then they had a part to play in determining the frieze height.

Just don't let the appliques completely dominion, discover a design that looks counterbalanced.  Over again, that'south where referring back to historic moldings helps then much.

Since this archway was so large it could adjust a much larger frieze.

A corbel entablature with ornate frieze. This was a skilful solution given the limitations the staircase imposed.

Well there you have it Jay.  I promise this post volition help you come up with a frieze acme that you're happy with.

When y'all're all finished, how 'tour sending us a pic of what you came upwards with and we'll add it to this post?

Adept luck Jay!

Which Greek Order Has An Entablature With A Three-panel Architrave And A Decorated Frieze,

Source: http://www.thejoyofmoldings.com/how-high-should-the-entablature-or-overdoor-frieze-be/

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